Acoustic Tuesday | Guitar Routine Show

147 - 5 Picking Patterns that Changed Acoustic Guitar Forever

Are you ready to learn some guitar history AND learn 5 awesome picking patterns? I'm covering these 5 picking patterns because they essentially transformed how we listen and play to the acoustic guitar.

In this video, I'll introduce each picking pattern and explain it's origins. From there, you'll get an awesome example of what the picking pattern sounds like and who has continued to use and innovate on the original pattern.

Also in this video, I'm featuring Halland Guitars in Livingston, Montana. This is an excellent builder who is making some seriously crafted acoustic guitars. Last but not least, I want to feature an Acoustic Tuesday viewer who is combining the spirit of heavy metal music with the sound of acoustic guitar.

So, without further ado, let's dive right into the 5 picking patterns that changed acoustic guitar forever!

Picking Pattern #5: The Carter Scratch

While the Carter scratch is typically associated with Maybelle Carter of the Carter Family, it actually originated with Lesley Riddle. Using the thumb to predominantly play melodies, the Carter scratch was revolutionary in its day.

Instead of being primarily a rhythm instrument, the Carter scratch allowed the guitar in folk and country music to become a melody instrument. Other names for the Carter scratch include the 'thumb brush' technique, the 'Carter lick,' and also the 'church lick.'

Picking Pattern #4: Travis Picking

Stemming from the Carteeer scratch, Travis picking gets its name from Merle Travis. You see, Merle Travis used an alternating thumb technique to drive the bass while the rest of his picking hand played a syncopated melody gets played on the higher strings.

What's interesting is that Travis didn't necessarily invent Travis picking as we know it today. He often referred to his style of playing as "thumb picking", possibly because the only pick he used when playing was a banjo thumb pick, or "Muhlenberg picking", after his native Muhlenberg County, Kentucky, where he learned this approach to playing from Mose Rager and Ike Everly.

Picking Pattern #3: Flatpicking

So, this specific conversation revolves around not just using a pick but using a pick to play fiddle tunes on guitar. While we can't tie this style of playing to one specific player, some of the early adopters of this flatpicking style include George Shuffler, Alton Delmore, Johnny Bond, Don Reno, and Bill Napier.

Prior to these players, the lead guitar was sparsely used — when it was used, it was a novelty instead of being the norm that it is today.

From these early players, we have artists like Riley Puckett, Clarence White, Doc Watson, Tony Rice, and so many others who made bluegrass and country guitar the huge success that it is today. Those artists have now handed the torch to younger artists like Billy Strings and Molly Tuttle.

Picking Pattern #2: Crosspicking

Think of crosspicking as combining the momentum of the banjo with the melodic qualities of flatpicking. It has a harp-like texture that can be simultaneously delicate and powerful.

George Shuffler is credited with creating the crosspicking technique as a way to "fill-in" sound while playing with the Stanley Brothers. Because he was playing in the "lean" years of bluegrass, the touring groups didn't use large bands with mandolin, banjo, drums, or bass. As a result, George created a unique style to cover the Stanley Brothers in between vocal phrases.

Picking Pattern #1: Percussive Fingerstyle

While simultaneously an approach to guitar and a picking pattern, percussive fingerstyle really changed the way acoustic guitarists approach the instrument.

Moving beyond the traditional restrictions of just playing fretting and plucking the strings, percussive fingerstyle utilizes the body of the guitar, harmonics, alternate tunings, tapping, and more to create a wide range of tones, sounds, and textures.

We can trace a lot of percussive fingerstyle techniques back to Michael Hedges who really revolutionized this style.

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at147/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

146 - 6 Priceless Lessons from Molly Tuttle

Are you ready to get a deep insight into your guitar journey? These 6 lessons from Molly Tuttle will surely inspire you to make some big changes in your guitar playing!

Molly Tuttle is one of my guitar heroes that I have the utmost respect for. She has wisdom and technical mastery that blows me away every time I see her play. I am so excited to share these 6 lessons with you! Each one is a golden nugget of guitar wisdom, so make sure you watch all the way through!

Before I launch into the interviews, I want to make sure I give credit where credit is due. The first interview is from Q on CBC with Tom Power. The second one I'll be referencing is from eTown.

After I share these lessons, be sure to let me know what you want to hear from Molly Tuttle. I'll be interviewing her soon, so I really hope you give me a good question to ask her!

So, without further ado, let's launch into the 6 priceless lessons from Molly Tuttle!

Lesson #6: Have Fun

The guitar shouldn't be a chore. If you can focus your practice sessions and zero-in on the joy and discovery of learning the guitar, the fun will fuel your guitar journey.

If you find yourself getting bogged down in technique and you're getting frustrated, take some time to focus on one chord or technique or scale. From there, chunk it out and don't get overwhelmed with learning!

Lesson #5: Ego is the Enemy

When Molly Tuttle arrived at Berklee College of Music, she was surrounded by jazz musicians, classical musicians, and electronic musicians. When she looked at her peers, she realized that she was a beginner in their world.

While this might seem frightening or shocking, Molly handled the situation with grace. She accepted that she was a beginner, checked her ego at the door, and soaked up as much information as she could. How awesome is that?!

Lesson #4: Community

Who you surround yourself with on your guitar journey — and in life! — is extremely important. Making sure your community supports you and lifts you up is important for your success as a guitar player.

Molly had a unique experience being the first woman to be nominated (and win) the International Bluegrass Music Association's Guitar Player of the Year. The community lifted her up, and now she is excited to lift up and support other aspiring women in the industry up as well!

Lesson #3: Guitar Accessibility

Molly describes her couches at home full of instruments — so much so that you couldn't even sit on them! In fact, the only way to sit down was to have an instrument in your hands!

I strongly believe that having guitars easily accessible will help encourage you to play. If you have to take your guitar out of a case every time you want to play it, that's just one more obstacle to overcome in your guitar journey.

Lesson #2: Forever Student

Molly Tuttle has a unique technique she uses on guitar: claw hammer, which is typically reserved for the banjo. When Molly was teaching at her first music camp, she learned as much as she could about claw hammer guitar technique.

Even after achieving success and recognition, Molly Tuttle continued to expand her knowledge of the guitar and still remains a "forever student," or someone who is always learning. I think this is so crucial for guitar journeys.

Lesson #1: Embrace Who You Are

Never be afraid or ashamed of who you are. "There's nothing normal about everyone being the same," Molly wrote. I cannot agree with her more.

Our differences, our uniqueness, are what make us interesting and beautiful humans and musicians. I want to encourage you to search for and embrace who you are. You'll find that if you use this on your guitar journey, you'll see plenty of rewards.

To catch the full interviews featured on this episode of Acoustic Tuesday, be sure to visit acousticlife.tv/at146/

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at146/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

145 - 10 Musicians Who Prove Fingers are Overrated

What's a guitarist's most important body part? If you said hands, you better guess again. In today's video, I'm showing you why your mind is your most important tool as a guitarist.

I have the utmost respect and admiration for all of these guitarists. Each of the guitarists featured used their minds to overcome drastic physical limitations. I am excited to share these musicians with you because they have this inner-fire to create and share music with others...and nothing stopped them from doing it!

My hope is that you get to discover new artists on today's episode while feeling inspired to use your most important guitar tool, your mind, to create and share music with the same passion as these musicians!

At the end of the day, if you're struggling to play guitar, whether it's physical or mental limitations, just remember to adapt your playing style to what suites you. It isn't taking a shortcut to adapt. It's finding an opportunity to create, have fun, and make music. This goes for those affected by an injury or even those who may just be having a bad day with hand pain or fatigue.

Now, without further ado, let's get started with our list of 10 guitarists who use their minds to overcome physical limitations.

10) Django Reinhardt — The grandfather of Gypsy Jazz, Django lost use of his ring and pinky fingers on his fretting hand. He relearned the guitar and went on to become one of the most famous guitarists ever in the genre.

9) Phil Keaggy — A virtuoso fingerstyle player, Phil is missing half of the middle finger on his right hand due to an accident at age four involving a water pump. This limitation did not stop him from becoming a successful and innovative fingerstyle player.

8) Wesley Tuttle — Wesley was raised in California and took up music at age four, and had to relearn to play the guitar and ukulele after losing all but the thumb and one finger on his left hand. He contributed the yodeling to the "Silly Song" in Walt Disney's "Snow White and the Seven Dwarfs" and later backed Tex Ritter on guitar.

7) Billy Joe Shaver — Billy Joe Shaver took a job at a lumber mill to make ends meet. One day his right hand (his picking hand) became caught in the machinery, and he lost the better part of two fingers and contracted a serious infection. He eventually recovered and taught himself to play the guitar without those missing fingers.

6) Roy Thackerson — Roy started playing the guitar at the age of 5 and was actually learning chords. At the age of 6, like all young boys, curiosity got the best of him one afternoon when Roy injured his hand pretty bad. Later in life, Roy used his determination and drive to learn the fiddle, mandolin, dobro, and guitar

5) Jerry Garcia — In 1946, two-thirds of Jerry Garcia's right middle finger was cut off by his brother in a wood-splitting accident while the family was vacationing in the Santa Cruz Mountains. This did not stop him from being a revolutionary guitar player and cross-over bluegrass guitarist and more!

4) Barry Abernathy — Barry Abernathy was born with only a thumb and part of an index finger on his left hand. Because of his hand, he approaches the fingerboard from the top and does all of his fretting with his thumb and the end of his one-knuckled index finger. Here is a guy who absolutely wanted to play and was willing to work for it, developing his own methods as he learned. And he became a great player.

3) Mac Rebbenack — Mac Rebbenack's (Doctor John) career as a guitarist was stunted around 1960 when the ring finger on his left (guitar fretting) hand was injured by a gunshot during an incident at a Jacksonville, Florida gig. After the injury, Rebennack concentrated on bass guitar before making piano his main instrument, developing a style influenced by Professor Longhair.

2) Hound Dog Taylor — He was famous among guitar players for having six fingers on both hands, a condition called polydactyly. As is usual with the condition, the extra digits were rudimentary nubbins and could not be moved. One night, while drunk, he cut off the extra digit on his right hand using a straight razor.

1) Andres Godoy — “We must always find a way to get past our disabilities. We can’t depend on people to help us, we have to do it ourselves." Andres lost his arm when he was 14, but that didn't stop him from pursuing his career in classical guitar. What an awesome inspiration!

Be sure to visit Acoustic Life for the show notes and links for everything featured in today's episode!

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at145/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

144 - Why THIS $1600 Guitar Case is Worth Every Penny

In this video, I'm giving you 5 reasons why flight cases are one of the best investments you can make for your guitar. They're vital to your guitar's health, and if you don't believe me, just check out these 5 reasons.

This episode of Acoustic Tuesday will also feature Calton Cases, the makers of one of the best flight cases available on the market. You'll tour their facilities and get an up-close look at how their cases are made. Finally, we'll close out the show with a review of Fireside Collective.

I know traveling might not be possible for you during these times, but I expect this to NOT be the new norm...that's why I'm so excited to talk about flight cases! But eventually, we'll be traveling and excited to visit our fellow guitar geeks across the world.

Now, let's get started with the 5 reasons why a flight case is such a good investment.

Reason #5: Protection

This is the most obvious reason, but it's perhaps one of the biggest reasons. For starters, I want to share some staggering statistics...flight cases can withstand 1,100 lbs of pressure and can keep your instrument safe from drops of 9 feet or less.

So, this means that not only is your guitar or instrument being protected in the drastic circumstances of air travel or moving, but it's also protected in everyday use. That means that if you use a flight case, you don't have to worry about the little bumps or bruises or temperature changes you may experience. It'll be safe and stable in the flight case!

Reason #4: Pizzaz

Flight cases are highly customizable. I know this isn't everyone's big concern or priority, but I think it's worth mentioning. You can match your instrument's color, your favorite color, or an overall aesthetic look for your music. Either way, you have tons of options!

I also love how sticker hungry flight cases are: you can really show off your favorite artists, cities, music stores, etc with plenty of space for stickers on your flight case. Over time, those stickers become little badges of honor as you collect them year after year.

Reason #3: Humidity

I mentioned this briefly in reason #5, but it truly deserves its own category. The last thing we ever want to happen to our guitars is for them to dry out. Not having a controlled-humidity environment for your guitar can result in a cracked top, cracked soundboard, sharp fret ends, and an overall crummy sound.

Flight cases are completely sealed off from the outside environment. In fact, it can maintain an ideal 50% interior humidity amid changes of external temperature from 30 F to 105 F. When left in those environments the relative humidity shifts on 4% per day!

Reason #2: Weather & Temperature

Think about how many times you've gone from the car to a jam with your guitar in a regular soft or hard case. You probably didn't think it damaged your guitar are at all. But chances are, there's probably moisture building up in that case.

With flight cases, they are completely sealed and water-resistant. Additionally, if you're going to be traveling or spending any time outside, having your guitar in a flight case can protect it from temperature changes. It won't insulate it entirely from temperatures, but instead, it will slow down the change, letting the wood grow accustomed to the new temperatures over long periods of time.

Reason #1: Price

Now, you might think I'm crazy, but I think the price for flight cases is actually the number one reason they're a good investment. A flight case can range anywhere from $1200 to $1600, which might be the cost of a pretty nice guitar for most folks!

But, let's say you have a custom guitar or a vintage guitar whose value is actually priceless. What happens when there is irreparable damage to it? How do you recover the time, memories, and value of the guitar?

With a flight case, you're essentially protecting it from these situations. So, spending the money upfront might seem crazy, but you're actually saving yourself from years of anguish or lost value in your priceless instruments.

Be sure to visit Acoustic Life for the show notes and links for everything featured in today's episode!

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at144/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

143 - 5 SHOCKING Blues Guitars Under $230

In this video, I cover 5 blues-centric acoustic guitars that shocked me because they are all such incredible deals. I looked at Recording Kings, Gretschs, Yamahas, Fenders, and so many more, and here's what I've come up with...

In this episode of Acoustic Tuesday, I'll also cover 5 easy upgrades you can make to your acoustic guitar. Whether you're on a budget or looking to augment the sound of your guitar, these upgrades will surely help!

Last but not least, I want to feature an Artist by the name of Charlie Hicks. Charlie Hicks has an incredible voice and is a bluesy dobro player that definitely should not be passed up.

As you continue on your guitar journey, or maybe if you're just starting, know that you don't have to spend an arm and a leg to get a great guitar. Especially when you're looking for a specialized sound for blues guitar, there are plenty of options out there!

Now, without further ado, here are the 5 shocking blues guitars that I found for under $230!

5. Gretsch Jim Dandy ($169)

Is the Gretsch Jim Dandy rich with overtones? Is it long on sustain? Does it sound luscious? NO...and that's what makes it a perfect blues guitar! The Jim Dandy has the bark, the attitude, and sounds incredible for costing just $169.

From a visual standpoint, the Gretsch Jim Dandy is a standard, no-frills kind of guitar. What shocked me most about this blues guitar was just how punchy it was, as you can see and hear in the demo video. Is it the best $169 you could spend? Perhaps...but I have a feeling another guitar on this list will give it a run for its money.

4. Recording King Series 7 - Single-0 ($169)

The Recording King Series 7 - Single 0 is a strong alternative to the Gretsch Jim Dandy. While the sound and timbre coming from the two guitars is very similar, this Recording King has a visual panache that certainly beats out the Gretsch.

One of my favorite parts about this Recording King is the headstock and the slotted fretboard inlays. These two parts scream vintage attitude and style, which I totally love. So, if you're a guitarist who wants to have a bluesy looking guitar that can be backed up with a punchy sound, this might be the guitar for you.

3. Yamaha FS800 ($199)

While not a dedicated blues guitar like the previous picks, the Yamaha FS800 is a strong contender. I really love this guitar because it's perfect for a guitarist who doesn't want to deal with a dreadnought body style. The smaller body of the Yamaha FS800 makes for easy playing.

Additionally, the solid wood top is also a nice addition that adds just a touch more sustain to make the guitar a well-rounded instrument — although it still leans heavily on the bluesy side. Finally, the price on this bad boy comes out to $199, which is very affordable considering how great it sounds.

2. Fender CP60S ($199)

Compared to the Yamaha FS800, this Fender has a much more shallow depth of tone. So, while it isn't as well-rounded as the Yamaha, it might actually be more suited for Blues playing. The parlor size is also a nice feature that is on par with the Yamaha's comfortability.

I likee that Fender has been moving into the acoustic market and trying to provide some decent-quality guitars at a great price. So far, the Fender CP60S is the most interesting offering so far.

1. Recording King Dirty 30's Series 9 Triple-0 ($229)

There are a couple reasons why the Recording King Dirty 30's Series 9 Triple-0 is my number one pick on this list. Perhaps the biggest reason is that Molly Tuttle demos the vintage version of this guitar. Boy does it sound great. And while the newer versions to quite sound like the guitar that's almost 100 years old, it still holds up.

The aesthetic factor on this acoustic blues guitar is perfect. From the sunburst finish to the pickguard, this is a no-nonsense blues machine. Additionally, the bigger body on this guitar will provide much more bass in your overall sound. So, if you're someone who likes a thump, this guitar is perfect for you!

If I missed any guitar that you think belong on this list, please let me know in the comments. I'm always on the hunt for finding great guitars at a great price!

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at143/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

142 - 6 Lessons I Learned From Tommy Emmanuel

I've boiled down the 6 most important lessons I've learned from @Tommy Emmanuel in this video. From playing solo to practice philosophy, I'm ready to help you improve by passing on the wisdom of Tommy Emmanuel.

If you haven't heard of Tommy Emmanuel, he's one of the most accomplished acoustic guitarists ever. Hailing from the land down under, Tommy is a virtuoso on acoustic guitar. Everything about his playing is inspiring.

With his new album out, "The Best of Tommy Songs," and his birthday at the end of May, I figured what better time to do a dedicated Tommy Emmanuel episode than right now!

All of the tips and lessons I learned from Tommy Emmanuel come from my personal relationship with him. He's a great human who has shown kindness at every turn. So, thank you, Tommy Emmanuel!

Lesson #6: Think Like a Band

When I first heard Tommy Emmanuel play, I was captivated by his dynamics and ability to layer so many sounds at once. When I had a chance to talk to him about arranging and composing, he told me to "think like a band and a singer."

When he played, Tommy brings down the dynamics of the rhythm part that he is playing, while accenting and bringing out the melodic lines. The result is a harmonious song.

Lesson #5: Make a Big Sound

When I asked Tommy how he's successful as a solo act, he didn't talk about his blazing technique or his practice hours (although, those certainly matter!). Instead, he talked about the sound that he makes.

Never think less of yourself. Focus on having fun and sharing the joy of music with those around you. Make that big sound.

Lesson #4: Give It Your All

I remember listening to Tommy Emmanuel's soundcheck. There were just a few of us in the audience. Even though not many folks were paying attention, Tommy gave it his all. He didn't half-ass his performance. To him, it never mattered whether you were playing for yourself or for thousands.

When you go to practice, give it your full undivided attention. Play as if you were performing and give it the same energy and concentration.

Lesson #3: Play for the People

When you perform, no matter how many people you're playing for, you're out there to play for the people. You're not there to "impress" other musicians, as Tommy says. Instead, focus on sharing the joy and fun of music with those around you.

It's really a simple lesson, but it's one I need to constantly remind myself of. Too often I think of what other guitarists would want to hear me play, rather than what the people enjoying my music would want to hear. And, if you're the only one in the room...play for yourself!

Lesson #2: Do What Works for You

Tommy Emmanuel always told me that the best guitar is the one YOU can't put down. Just because he likes one guitar, that doesn't mean it will work for you. Just because a technique is used by some guitarists, doesn't mean that's the best for you.

This is especially important to remember when buying a guitar. Too often people want to have someone else pick out a guitar for them. In reality, they need to pick out the guitar themselves and find the one that works for them!

Lesson #1: Kindness

I remember the most recent time I interviewed Tommy Emmanuel like it was yesterday. He took time out of his incredibly busy schedule to chat about everything from practice habits to guitar. He originally called me just to say thank you.

Whether you're a top-notch guitar player or just brand new to guitar, PLEASE remember to be kind. We're all here to play guitar and have fun. Being supportive, kind, and grateful is what makes the world a better place. And Tommy Emmanuel is absolutely the best example of a guitarist who is all of these things.

If Tommy Emmanuel has taught you a lesson, be sure to let me know in the comments!

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at142/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

141 - Acoustic Guitar vs. Electric (where to start?)

I'm giving you the top 5 reasons why starting on acoustic guitar is better for a beginner than starting on electric guitar. The acoustic guitar is perhaps the most magical object in the world, and I'm here to tell you why...

In addition, I'll recommend 5 acoustic music documentaries you NEED to check out and how to best use Music Nomad's suite of products.

Acoustic guitar vs. Electric guitar is a debate that has been raging since the electric guitar was introduced during the mid-20th century. While it is no doubt fun to play and sounds incredible, is it the best thing for a beginner guitarist to play?

Instead, I suggest that folks new to guitar start on acoustic guitar.

Without further ado, here are the 5 reasons why you should start on Acoustic Guitar.

★ Why You Should Start on Acoustic Reason #5: Self-Sufficiency
All you need to play the acoustic guitar is just the guitar, no more, no less. This means you can go to a campfire jam with your acoustic guitar, you can play on the roof, or you can bring it on a walk with you.

You don't need an amp, chords, or electricity. In this way, the acoustic guitar is totally self-sufficient and lends itself well to ease of playing and being a cheaper initial investment.

★ Why You Should Start on Acoustic Reason #4: No Hiding
From a technique and execution standpoint, the acoustic guitar doesn't allow you to hide behind layers of distortion and effects, therefore it builds better technical ability and overall cleaner playing.

The acoustic guitar also requires a bit more strength and flexibility to play compared to an electric guitar. And, while this may seem like a reason for beginners to play electric guitar, it's not. Instead, this forces you to build-up muscle and flexibility in your fingers before moving to an easier instrument like the electric guitar.

The goal is to make the transition from acoustic to electric easy, rather than making the transition from electric to acoustic difficult.

★ Why You Should Start on Acoustic Reason #3: Versatility
You can do so much with an acoustic guitar it is mind-blowing. From percussion to effects to everything in between the possibilities are endless. I want to acknowledge how versatile the electric guitar is, too. However, this comes at a cost.

Meanwhile, the acoustic guitar is versatile right out of the gate. You don't need pedals and effects (although, they can certainly be used). Instead, you can focus on the percussive effects or the different tonal qualities playing different parts of the guitar can afford.

★ Why You Should Start on Acoustic Reason #2: Community
The acoustic guitar by nature is a social instrument. There is a reason it has become synonymous with campfires. People tend to gravitate toward an acoustic guitar when it comes out in a group setting. It's a chance to connect and bond over the joy of music!

And, as I have seen in my own life and experience, community is so incredibly important to the musical journey. Specifically, on a guitar journey, having a community that encourages you to discover and take joy in music is incredibly important.

★ Why You Should Start on Acoustic Reason #1: Magic
For an inanimate object, I would argue the acoustic guitar holds a serious amount of meaning. There is a magic with the guitar, the stories it holds, the personality it develops, and the memories it captures. It's like a camera that's on 24/7. I say this due to a recent experience I had cleaning an old guitar — a story I'll be telling later on this episode...so be sure to watch the whole thing!

To get the rest of the show notes and the full links and breakdown of the episode, visit acousticlife.tv/at141/ !!!

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at141/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

140 - 6 Stunning John Prine Covers

John Prine utterly transformed the acoustic music community. His wit, spirit, and genius will be missed. So today, we're honoring John Prine by looking at 6 awesome John Prine covers. In addition, you'll get some bonus recommendations!

All of these John Prine covers are performed by incredible musicians. Some may not seem like they drew inspiration from John Prine, but they absolutely did...especially after seeing these covers performed.

The first John Prine cover is "Paradise" performed by Roger Waters of Pink Floyd.

This cover is beautiful and sincere. Huge thanks to Roger Waters for sharing this with the world. If you like that song, there are a few other musicians who have covered it. Darell Scott & Tim O'Brien, Dwight Yoakam, and Johnny Cash have all put out covers of "Paradise."

Each one of these John Prine covers provides a different take and interpretation of the song, proving how multi-faceted Prine's music was.

The second John Prine cover is "Hello in There" performed by Joan Baez.

The more I listen to "Hello in There," there more the emotional weight hits me. Specifically, this cover by Joan Baez is so beautiful. In fact, it's one of her most requested songs when she plays concerts!

If you like this song and want to see the full range of influence John Prine had, check out the covers by David Allan Coe, 10,000 Maniacs, and Jefferey Foucault.

The third John Prine cover is "Sam Stone" performed by John Paul White.

While this specific cover I feature in Acoustic Tuesday, I broke my rule of keeping to tribute covers. However, I think this cover just cannot be ignored. John Paul White is an incredible singer who captures the haunting, troubling essence of this incredibly well-told story.

For other covers of this tragic John Prine song, check out Swamp Dogg, Bob Gibson, and (again) Johnny Cash. Interestingly enough, Johnny Cash actually had trouble with some of the lyrics in the song, so be sure to watch the video to catch that!

The fourth John Prine cover is "Souvenirs" covered by Trey Hensley.

I'm always excited when I have the chance to hear Trey Hensley sing. His cover of "Souvenirs" highlights both his excellent voice and John Prine's ability to do some next-level wordsmithing.

For other covers of "Souvenirs" be sure to check out The Country Gentlemen's Recording and Steve Goodman's recording on the album Affordable Art.

The fifth John Prine cover is "Angel from Montgomery" performed by Simon Flory.

Simon is a friend of mine from a while back, and he had a great story tied to this song. What I like about Simon's cover is that it is authentic, raw, and real. Funny enough, Simon was also a featured artist back on Acoustic Tuesday #91.

If you like this song, definitely check out the Bonnie Rait cover, as well as John Denver's and Susan Tedeschi's covers.

The final John Prine cover I want to feature is "Unwed Fathers" performed by Sarah Jarosz.

This specific cover is super awesome because, for starters, I love Sarah's voice. I also dig the octave mandolin. It definitely has a unique tone! You can really here the care and attention she puts into this song, so thanks for sharing it with us Sarah!

For all of the show notes and links to the videos, be sure to visit https://acousticlife.tv/at140/ !!!

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at140/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

139 - The Definitive Acoustic Guitar Buying Guide

This definitive acoustic guitar buying guide uses a 5-step framework to help you choose what acoustic guitar to buy. For the 5-step framework and examples on tons of guitars, be sure to watch this episode of Acoustic Tuesday!

Buying an acoustic guitar can be a tricky process. By following my 5-step framework, you'll have a guitar you feel confident purchasing. Before you watch the video, be sure to invite your significant other/partner to watch with you! Having your +1 on board will help during the buying process.

To get things started, let's dive right into the acoustic guitar buying guide...

Step 1. Evaluate the Guitar's Looks
You might be thinking that this is not that important. You might think the sound is the most important part of a guitar. But you need to be attracted to your guitar visually. This doesn't mean the guitar needs to be flashy and blingy.

Instead, you want to feel as if the guitar is calling to you and you are inspired by just the "look" of the guitar — whether it's worn, straight grain, or matte finish. If you're drawn to a guitar visually, you're more likely to look at it and feel the need to play it.

Step 2. Evaluate the Guitar's Sound
Ideally, you want to be able to play the guitar you're thinking of purchasing. If you can't play it try finding a variety of demo videos with high-quality sound. When you listen or play the guitar, I want you to stop for a moment and ask yourself, "Can I still feel that guitar resonating in my body?"

I want you to find a guitar that feels so amazing, you can't see yourself without it. This means something different for everyone. Every guitar player has their own preference on timbre and tone and volume, so just make sure the guitar you pick resonates with you.

Step 3. Evaluate the Guitar's Playability
When buying a guitar, playability is an extremely important factor. For this step, I want you to take into account the things you cannot change about a particular guitar. For example, you can change the action, string height, or strap button placement. Things you cannot change are nut width, neck profile, string spacing, body width, etc.

You want to feel comfortable when you're trying out guitar. If anything feels too big, too small, or just not right, don't be afraid to move on. If you don't feel comfortable playing it, it'll be that much harder to motivate yourself to play that guitar.

Step 4. Evaluate the Guitar's Versatility
This might not be applicable to you if you're looking for a specific type of guitar to round out your guitarsenal. However, for most guitar geeks, you want to find a guitar that can do a wide variety of playing styles. You'll want a guitar that can grow and flex with you as you discover new concepts, styles, and genres of acoustic music!

Make sure the guitar you're thinking of buying can do both fingerpicking and flatpicking. You want this guitar to be by your side through your acoustic guitar journey.

Step 5. Evaluate the Guitar's Level of Inspiration
This is difficult to do, but just know that each guitar has a story. The guitar that inspires you the most typically has a story behind it. Even if your buying a new guitar, the story attached to that guitar is the story of the manufacturer. The story of a Taylor guitar, fresh out of the factory, is different from the story of a new Martin guitar. Which story resonates with you the most?

If you're looking at used or vintage guitars, also take into account the story of the previous owners. You want this guitar to inspire you and bring joy and fulfillment into your life.

What do you think of this 5 step framework? Did it work for you? Are you planning on using this definitive acoustic guitar buying guide?

If you need more practice on deciding whether you should buy a guitar, make sure to watch the full episode. I'll be evaluating three different guitars and applying this 5 step framework to each of the guitars.

If you want to see more of the notes I have on this episode, be sure to visit Acoustic Life today!

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at139/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday

138 - Did Bob Dylan Steal THESE Songs?

In this video, we're looking at the 6 songs from Bob Dylan's first album that launched his career and where he drew his inspiration from. While my sources say he wasn't a song thief, I think you'll be able to draw your own conclusions after this video...

Bob Dylan is definitely one of the most influential singer-songwriters that ever lived. I mean, the guy has a Nobel Prize in literature.

But if we look at the beginning of his career, to the very first set of songs he recorded and started selling commercially, how many of them were covers?

I'm not saying that just because Bob Dylan did covers that he means he stole. My point is more nuanced: did he give credit? Did he pay homage to those folk heroes who he is standing on today?

To help understand, we're looking at the 6 songs from Bob Dylan's self-titled first studio album.

#6: "Song to Woody"
Bob Dylan was a huge fan of folk musician, artist, and writer Woody Guthrie. In fact, Bob Dylan went so far as to style himself after Woody Guthrie. In paying tribute to Woody Guthrie, Bob Dylan wrote "Song to Woody," one of the few originals on the self-titled album.

Funny enough, the melody for "Song to Woody" is directly lifted from Woody Guthrie's song "1913 Massacre." Did Bob Dylan use the same melody to pay homage to Woody Guthrie? Or, did Bob Dylan decide to lift the melody because it was just that good? Let me know what you think in the comments!

#5: "Highway 51 Blues"
Written by a blues pianist by the name of Curtis Jones, "Highway 51 Blues," is another song Bob Dylan covered on his self-titled album. Curtis Jones' vocals and piano playing is spectacular on this song and sounds drastically different from the Bob Dylan cover.

I love listening to an original tune that I've only heard covered. "Highway 51 Blues" is no exception. I always thought Bob Dylan wrote this song, but I'm happy to know that the original Curtis Jones song is just as awesome and inspiring — even if it is on piano!

#4: "You're No Good"
A one-man band rockin' a twelve-string, Jesse Fuller wrote "You're No Good." Like my experience with "Highway 51 Blues," I came to love and appreciate the original after I started doing this research.

While I can't feature "You're No Good" performed by Bob Dylan or Jesse Fuller due to copyright, I can feature Jesse Fuller's "Railroad Blues." He is one incredible, driving singer with a classic acoustic blues sound.

#3: "In My Time of Dyin'"
While Bob Dylan's cover of this song is stunning, if you trace it all the way back to the beginning...it's even more stunning. The earliest recording of this song comes from Blind Willie Johnson.

Blind Willie Johnson has a voice that just sends shivers down your spine. I've always loved his voice and I know you NEED to check out his performance of "In My Time of Dyin'." Bob Dylan's version is definitely the neater, cleaner, the more commercial sound of what Blind Willie Johnson created and passed on.

#2: "Fixin' to Die"
It was sometime in college, when I was maybe 18 or 19, that I first heard this song covered by Bob Dylan. When I heard it, it sounded like Bob Dylan transformed into a completely different person. His singing was just unlike the other songs he played.

As I came back to this song, I discovered that this song was written by Bukka White. I was stunned because Bukka White is such an incredible played that you NEED to check out. With a distinct style and voice, Bukka White is clearly being channeled by Bob Dylan in his cover of "Fixin' to Die." Let me know what you think in the comments though!

#1: "See That My Grave Is Kept Clean"
Written by Blind Lemon Jefferson, this song has become a standard in the American songbook. So many artists have covered this song over the years, and some better than others. To give you a sense of Jefferson's style, I played "One Dime Blues" for you.

While Bob Dylan's version of "See That My Grave Is Kept Clean" is similar to Blind Lemon Jefferson's, it's just a different version altogether.

So...is Bob Dylan a song thief? No.

But follow me down this train of thought:

Bob Dylan choosing these songs was a way of him simultaneously honoring and making his mark on the folk world.

If you want to see more of the notes I have on this episode, be sure to visit Acoustic Life today!

★ Request your invite to Tony's Acoustic Challenge today: https://tonypolecastro.com/al-request-invite/?ref=INVITE&src=AL

★ All show notes and links: https://acousticlife.tv/at138/

★ Get the show: https://tonypolecastro.com/get-acoustic-tuesday